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In my artistic practice, I work across drawing, photography, and image-processing techniques. Through rhythm, repetition, nesting, layering, and translation, I intend to form relational systems where new relationships emerge, gradually exposing the conditions of the (digital) image itself.

The photographic work focuses on the everyday: objects, food, and the materials and minerals inside our technical devices – things easily overlooked because they belong to the routines, services, and infrastructures that sustain daily life. Brought together in still lifes and assemblages, different elements are rearranged into new, often surreal compositions. Through the camera, the work reflects on the act of looking itself – on the position from which we observe the world and what this reveals about our relationship to the material world.

Drawing, for me, is thinking through lines, rhythms, and densities. Working with ink, nib, and brush, some drawings emerge fast and intuitively; others build up slowly over weeks. The work attends to the implicit knowledge carried in the hand and body – shaped by habit, labour, craft, and the deep histories of drawing and writing.

Certain images undergo a further stage of transformation, shifting the focus from what they depict to their material and technical conditions. Treated as processable material, the digital image is subjected to rule-based operations — scaling, repetition, and multiplication in software — while other transformations arise through translation into alternative image and pattern-transfer technologies. Cycles of printing, re-photographing, and re-digitising move the image repeatedly between physical and digital states, referring to the underlying conditions of digital images themselves: grids, pixels, and discrete units. Through these processes, information transforms, erodes, and reorganises. Objects dissolve into fragments and patterns; representation gradually shifts toward process, where light, matter, and technical constraints become visible as formative conditions.

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On my Mastodon profile, I share my work on translation processes between image and pattern transfer technologies, from photolithography to early computing, and the materials and minerals that these processes are based on.